Beth Caimar develops an artistic research that approaches the image as a process of individuation. Her practice, informed by painting, intaglio printmaking, and sculpture, investigates the threshold where the Unconscious and the Archetype converge, transforming matter into a field for the emergence of the Shadow and a return to the Self.

Trained between Florence and Bologna, Caimar constructs works that function as symbolic thresholds: uterine membranes, armoured bodies, and fallen regal figures. These presences embody states of crisis and metamorphosis, staging the fracture and potential rebirth of identity. Matter—layered, incised, wounded—is never a mere support, but a living organism, a site of passage and revelation.

The series Epifania Materna, Telesforo, and Crepuscolo nel Querceto unfold as true psychic landscapes. Within them, the image does not represent but transmutes: it becomes a vessel for archaic forces, an emergence of buried, collective, and originary contents of the psyche. Caimar’s work thus inhabits a liminal space, where the visible is traversed by the invisible, and the artwork offers itself as an initiatory experience, capable of activating in the viewer a profound reconnection with the roots of the psyche.